A Eulogy, To One of the Only Things I Have Left From Back Then

When I was fifteen I was asked out by the captain of my high school’s football team.

I didn’t care much, didn’t kiss him even. Went red-faced nonetheless.

15 year old girls, we do things like this.

But I? I was in love.

My high school had a mezzanine in a library full of winding, yellowing dog-eared pages and the smell of text that’s lived longer than any of us within it. Who can honestly say that they don’t love that smell, want to suck it up into a jar and wear it every day, the smell of knowledge so much older and greater than oneself?

I couldn’t keep it then, and I can’t now. So I went there (every day), sat there, and put on Definitely Maybe. I still, some days, wish I had it in a bottle somewhere.

I still, some days, wish I had the sandwiches my mother lovingly made me that back then were carelessly, terribly thrown into garbage bins prior to entering that place.

15 year old girls, we do things like this. Was there any part of my head that wasn’t, in some way or another, sad and sick?

Probably not, but someone, something, else loved me anyways.

And so I put on my headphones, and put on Definitely Maybe.

Supersonic. That solo. Blew my mind and gave me heaven. Every. Single. Fucking Time. Fifteen years old, no place to go. It gave me everywhere to go then (and still, now).

Then, when I was nineteen, there was D’You Know What I Mean. Taking me through 06:17 train rides, had me standing purposeful and thin and in a black pea coat that looked exactly as I meant it to, as I wanted it to (and still, now).

She’s Electric when dancing in my childhood home’s backyard, in faded grey track shorts and frizzed out summer hair, reflecting Californian sun for the first time, electric under my skin and swinging a little white dog, dying, round ‘til neither of us could take another breath or breathe, breathe, breathe out and drown in the staccato joy of strums and sound.

Hey Now! was highway car trips through West Virginian mountains and Carolinian plains that had alligators in their ditches. Scared us all.

Morning Glory, and I’m calling home from neon sign lit South Beach payphones on calling cards with my brother holding the receiver while I talk into it, afraid of the spit that others have left on it, afraid of anyone finding the three stale menthols I’ve hidden in a CD case in my motel room drawer, as if I lived there and had made a life there for the four night stay.

Some Might Say, my first driving test. I failed.

Listen Up in a car, driving home from early morning dreams in coffee shop windows, knowing that I really, really don’t mind being on my own and feeling it so deep throughout my bones when he sang it, too.

And I can’t say what it was about that album, those songs, that took me everywhere I needed to go in my head, but it did. It did at fifteen, and it did at every year I’ve been in between.

And now, at twenty four years old, it’s all over and, in another sense, just beginning.

I don’t feel like anyone could really ever understand what it is that I feel for those songs because, in a certain sense, they can’t. They’ll never hear the sunrises and being still drunk at work with Champagne Supernova, they’ll never feel the 3 a.m. Yonge Street walks alone of Cast No Shadow, or smell that library, full of sagacity and future, with the whole glorious fifty one minutes of Definitely Maybe.

And then one day, the makers, they’re gone. Like everything, every moment, every one of us in time.

That’s okay, though. That part of me is too.

But if I ever need to go back? They know, and I know, where to find me.

A year, in review.

This season. It doesn't feel like a single one that's come before it, not that I can remember.

Last year, same day. December 21. I wrote this.

Months and years past of train ticket machines click-click-clashing my passage to and from a place that I knew was my home. I took a train again this morning in a sweater two sizes too large for me, and stared out a frostbitten window knowing that I don't know where that home is anymore.

And, far more significantly, knowing that it's alright to not know.

I expect that having figured everything out at the age of 23 would make for a horribly dull, albeit easier and more manageable existence. I could be wrong, of course, so if there's a 20-something (or 30, or 40, or ever 50-something for that matter) out there who believes that they've obtained such clarity, please send me an e-mail...I'd love to hear all about it. So, for the time being, I'm unsure as to what direction this is all going in, and I mean that in the broadest sense possible. Past, present and future blogs, schools, careers, homes, shoes, cigarettes, planes, trains, automobiles, holidays - you name it, I've probably not quite figured it out. And the great clarity I've been seeking for a longer time than I would like to recollect kicks in when I remind myself that it's not something I even want. I'm in love with not knowing, and for right now that's good enough.

A few days ago my oft-alluded to man and I sat in our beautiful tropicana coloured kitchen nook, where we sit most every evening and enjoy the beautiful meals we alternately prepare for one another, and we talked. We always talk.

It's nice, being with someone who likes listening to you talk, likes the way your face moves when you listen to them talk, likes talking to you.

Our talks range from making silly noises and singing at one another to examining existentialist treatises to congratulating each other and ourselves on the accomplishments of the week (songs, chapters finished, meals made, dancing fun had). This time we talked about happiness. What it means, where you feel it, whether it's in your chest or bones or stomach or skin or brain or all of then at once. How it doesn't change who you are, it lets you be who you are. And even though I still don't know what it is, or how to explain to anyone how to feel it like I do...

Happiness. We came to this conclusion. When you can just be, it just is.

And this? This I know.

Merry Christmas, everyone.

Dear Yoko Ono

Dear Yoko Ono,

I like you.

You're strong.

And I think I understand you. Mostly.

Some afternoons I sit here in this very spot that I’m sitting in now and I watch you on my computer screen: burning it with all your clipped words of white-hot love. It helps me sometimes…I think.

It helps me think.

Either/Or.

And there you sit across from me in the screen, sitting the same way every time: being positive, elegant, generous and loving and all of the things that we all should be. We all should be…and yet none of us are. No one I know is. I try to be. I know I’m not.

But you! You are.

Even after the merciless and horrible things the universe has brought upon your tiny little head, still full of your shiny short hair at 73 years old, you are.

See, if I were you, Yoko, I don't think I'd ever be able to say I love you again.

And you! You do. You say it every day, to everyone and no one at all.

God, you’re so fucking strong, Yoko.

You make me entertain the thought that I, too, could maybe be as amazing as you are one day even though I’m admittedly selfish (and, quite simply, not as amazing; simply in that I never want to have to be). But I still entertain it. I let it loose up in my head, like hair that’s been confined from tight braids it’s been in for weeks, like a child who’s eaten nothing but Pixie Stix for days on end and runs up and down the block to burn it all off.

This kind of simplicity? It’s so nice to have sometimes.

I wonder, Yoko, if you too sometimes get sad or bored with yourself, and the feeling that you’re not actually very good at anything at all?

I try to be creative most days.

Most days I can't even tell if it's working or not.

Most days I think I could do anything at all and none of it would matter to anyone but me.

Or it could matter to everyone, but I think it would mean nothing to me either way.

What is being creative anyways? Just…creating? Well, I could create anything then. I could write you a letter, I could draw pictures of paper coffee cups piled up on desks with words like I’m so fucking sick of this scrawled over them, I could draw them over top of worse renderings of with tiny waists and long legs of extra-terrestrials spreading their fingers atop the open palms that face their audience in surrender, saying come in, I’m letting you in, have a fucking look and don’t fucking look at me and I could make a million dollars.

People make a million dollars making much stupider, much dirtier, much more inane things than these.

I wish my mind was clean.

I wish I could make a million dollars.

I wish I didn't wish to know everything all the time.

So I guess what I’m trying to say is…I feel like you must sometimes feel like I do, Yoko.

Do you?

You certainly never show it. I'm working on that, too, the not showing of it. Not letting it get in me in the first place is hard enough, but at least not letting it out...it's kind of like those affirmation things that you’re supposed to do when you’re depressed. Someone told me to do them when I thought I was depressed, but I don't think I really was. Just sad. I did them anyways.

So tell me Yoko, please, because I actually need to know whether or not it’s true.

Do you ever get sad? Do you ever go on your early evening walks and feel nothing but loose street gravel below the soles of your little feet, do you alternate between conversations and shapes and numbers in your head, do you find yourself unable to speak of it, not because you don’t want to but because you don’t know what your insides are made of, let alone what words to use?

I hope you do, Yoko. I hope you are sad sometimes. I hope you hate sometimes. I hope you’re just as confused and fucked and afraid as the rest of us.

But as much as I need to know that you’ve got bad on your insides too, Yoko, don’t worry. I know you don’t. It’s why I like you.

Be-in.

Everyone should know how it feels to stand around in a muggy August hot kitchen, drinking wine too fast, talking too fast, changing songs too fast in the company of friend-love and love-love, wiping the smudged eyeliner out from under your eyes to see, so clearly, exactly where I am.

To be 23 and on my own was great. It was great, terrible fun. And it was what I needed, even when I didn't know that I did.

But to be 24. To be 24 and not on my own is more happiness and more sadness than I've ever known. And everyone should know how it feels to feel both.

Because when I'm wiping the playground sand off my best friend's shoulders as he runs off into the night, chasing something that even he can't say, I wish these moments of swing set park declaration huge, massive, overwhelming happiness for every living, breathing, thinking thing in the world. I watch the rest of them jump off picnic tables and let their feet take them where they're going. I know that just because I've been found...well, that doesn't mean that so many aren't still lost.

But the greatest thing about a love like this?

All it takes to heal the world inside my head is having him, at the end of the night, to rest it on.

As promised.

I wrote nothing to actually write here today (and for that I do of course apologize), but being the woman of my word that I am, here's one from the archives that was published earlier this month. Enjoy, darlings.

Make Out

phones with broken buttons

call back with broken words

typo send backs

on his back in my bed

for four days on end our heads

are not quite right but nothing ever

is when you're in the thick of it, wanting to live inside of a perfect

silver book of things that cannot be named until

you've at once known them, felt them and lost them

if only for a moment

in time.

24 and there's so much more.

Turning 24 this past Saturday was challenging and eye-opening to say the least.

Aside from 'the problems', I've virtually always considered birthdays to be more depressing than celebratory. I don't care much for the notion of a day on which all of the attention is focused on me, and instead the day on which I was born tends to bring a sense of my own mortality much closer to the forefront of my mind than it generally is...which is saying a lot, as I'm often fixated with it to begin with.

24 has always struck me as the age at which I'm meant to really, actually, truly, wholeheartedly grow up. Which, in essence, means setting the vast majority of my neuroses aside once and for all and becoming that confident, strong, take-no-prisoners kind of woman I've aspired to be for as long as I can remember. 24 is, in my mind, when I'm supposed to legitimately become a 'woman' for that matter (I don't know about you, but I certainly haven't considered myself to be one yet - Girl, maybe? Chick, definitely. Woman...yeah, not a chance).

When I awoke on the 27th of June I begun weaving this tangled mess inside my own head, effectively psyching myself out before the day had even brought me to my feet. Typical me.

But the universe often has a funny way of reminding us of those things we've forgotten, those conversations, images and thoughts which have been stored in the deep recesses of some convoluted memory bank, just waiting for the time and place at which it somehow knew there would be relevance to the seemingly irrelevant, all of which didn't strike you as at all worthwhile at the time.

Flipping through an old issue of Harper's Bazaar I noticed two images, both of which I'd discussed with my mother while we were getting pedicures a few months ago. They are as follows:

Daisy Lowe, in a [fantastic] Meisel editorial. Gwyneth Paltrow, in a Tod's advert.

There was little debate between us as to the physical attractiveness of either, as they're both, quite obviously, beautiful (in these specific photos at the very least). And so the topic of our argument was not who looked better, but rather concerned a certain taste level.

My generally adversarial nature aside, I ascertained that it was, in fact, Daisy who looked cooler, better, more awesome and so on and so forth. My mother, naturally, proposed the opposite. "What's so uncool about having clean hair and nice skin and not looking strung-out?" she asked me, to which I of course responded with "it's boring" or something equally dumb-sounding and ignorant. We continued to prattle on and on about this until the people scrubbing our feet were surely dead bored with listening to us, our polish had dried and we sauntered out of the salon - me slightly more defensive and pissed off, and her slightly more concerned about my general aspirations in life.

This was, of course, all swept under the rug by the time we reached the nearest Starbucks...god, I must sound like an insufferable yuppie right now, what with all this talk of pedicures and Starbucks....but I digress. On the morning of June 27th I came across these images again, and perhaps for the first time ever, I saw what my mother had seen.

At 24 years old I finally want to start being good to myself.

It's not that I have to grow up, it's that I actually, legitimately, whole-fucking-heartedly want to. I don't want to be a nail-biter, I don't want to have dark circles around my eyes, I don't want to eat shit food and then starve myself for a week, I don't want legs that are pale and bruised, I don't want to play silly games with dudes that I know are all wrong for me but go out with anyways. I don't want to, I don't want to, I DO NOT want this.

Starving artists are so goddamn romanticized, and at last I really do see that there's nothing romantic about it. I can safely state that, from my experience of being one and knowing many, it doesn't produce better art. It does, however, succeed in making you miserable and perpetually dissatisfied. And ugly. And, chances are, age rapidly (and I am nothing if not admittedly vain). It also grants you a free pass to make terribly bad decisions. Of which I've made many.

And so it goes. On the birthday that was chalked up to be one of the most depressing yet, I didn't get a party, but a what currently feels like a radiant, shiny new lease on life.

At 24 years old I'm going to embrace the inner Gwyneth, be my own best friend and listen to that little voice inside of my head that knew I would get here all along.

P.S. If it's been implied that I plan on turning into a pretentious, condescending, prissy bitch who never has any fun, I apologize for the lack of clarity on my end. It simply means the end of total wasterdom, and the beginning of this wonderful thing called self-care.

Unhappy Birthday.

Due to the ABSOLUTE FUCKING NONSENSE that has transpired over the past 24 hours, tomorrow I will be spending my birthday NOT in the Mojave desert having a deeply enlightening spiritual experience with copious amounts of wine and peyote, NOT gleefully spraying overweight lesbians with water guns on a Toronto Gay Pride Parade float while dressed up like a unicorn Rainbow Brite hybrid of amazingness, and NOT out and about in a shiny little dress.

Instead I will be home, alcohol-less, fun-less, sex-less and hopped up on painkillers (meaning I also HAVE TO EAT (a.k.a. be fat) lest I want to suffer internal bleeding too) due to a cripplingly painful bacterial infection I incurred from shaving my goddamn leg the other day.

Unhappy birthday to me in-fucking-deed.

P.S. If I sound beyond angry at the world/myself/Bic razors/hospitals/drugs that you can't drink while taking right now it's because I AM.

I didn't call him on Father's Day.

And if he ever cared enough about either of us to want to know why...well, this pretty much says everything that I still can't.

Stuff

A maelstrom of auditions that have entered my life this week. I don't believe I've yet mentioned that I'm an actress but yeah, I am (in addition to being a bored office worker, writer and semi-frequent generally debauched mess, of course); the benefit of this is not only the prospect of lots and lots of work that I enjoy coming down the pipeline soon, but also that there has been virtually no time for office boredom, wallowing in self-indulgent blog entries or going out every night and being a waster.

Although I was planning on a 'detox' of sorts from the drinking, drugging and dating anyways, the auditioning is most certainly making such plan easier to execute.

I feel not dead for the first time in ages. And my skin looks fucking fantastic.

Productivity has its benefits, no?

That being said, it's been seven days of a prim, proper and productive Lush, and I terribly miss certain things....Diet Coke, for one. And coffee. And substances. And my [party] friends.

How I'm even surviving being alive without the first two I've no idea; I suppose I have more willpower than I've previously given myself credit for. The other stuff...well, yeah. It's only been seven days, and for those of you who are far, far more well-behaved than I that might not seem like a very long time. I will elaborate no further than to say for me, it is. Very much so, it is.

Tonight brings some of my good behavior to an end, as I will be going out. I'm well aware that some people out there can, through what I assume to be some type of magic, voodoo or witchery of some sort, manage to abstain from drinking entirely when out at the various places I frequent, but I will never be an individual who can exert that kind of demi-god-like self-control over myself. So sue me, it's just the way it is (I also consider 'casual smoker' an oxymoron, in case you were wondering).

So yes, I will be going out and I WILL BE DRINKING. HOORAY!

I won't, however, be staying out all night.

Tomorrow morning brings yet another audition and a film shoot, meaning my usual hot mess Saturday self needs to be sans the mess part, for real. It's all kind of well-timed, considering I'm also in the middle of the Universe's curse that happens once a month to human beings unlucky enough to be born with vaginas. See, productivity really is bringing out a new responsible side of me!

The work day (and the aforementioned curse, for that matter) cannot end fast enough.

Happy Friday!

Hey, there's nothing in my heart. I'd rather be cool than be smart.

That's not true, of course. But Come Down by the Dandy Warhols is a perrenial favourite, and I know far, far too many people for whom it is true, so...yeah.

Marvellous May has begun marvellously enough, what with a weekend just having passed which consisted of the usual wasterdom, vampiric sleeps and getting a lot of clarity where my various romantic interests are involved. And, moreover, it taught me a few things.

I've learned that nothing helps you get over one romantic lead like the emergence of another.

I've learned that one day, you will get that moment of revenge on the jock assholes you went to high school with. And it will feel every bit as good as you imagined it would.

I've learned that packing sunglasses in your purse when you leave the house at midnight to go out is always a good idea. Same goes for making your bed - you'll appreciate yourself for doing so when you finally climb back into it at 10 a.m.

And I've learned that at the end of it, after all of the drinks, drugs, outfit changes and plastic cups have been drunk, taken, worn and emptied, all you really need are the pages of a new notebook and a phone call from someone you love.

Better off as the fool than the owner of that kind of heart.

I may have been the kind of girl who wore her heart on her sleeve at some point in my life, but I can say with a good deal of certainty that I haven't been that type for quite some time. Somewhere along the line playing my cards close to my chest seemed like the logical thing to do, and it's since become dangerously easy to simply never show my cards to anyone at all.

I'm not saying that my guardedness is wise or clever or particularly well thought-out, but everything and everyone is based on such fucking externality anyways that really, what difference does it make? So long as my thighs don't touch and my roots have been touched up and my heavily braceleted wrists are thinner than the girls' sitting next to me, it doesn't. So long as I go out often enough (but not too much) and drink this and know the bar staff there and that club owner here and am always welcome in the booth, it doesn't. So long as there's a vague sense of knowing that I'm smarter than all of this, more than all of this and not trapped by all of this, it doesn't.

Or does it?

The fortress of anonymity that I've built and fiercely protect around Nightgowns & Cigarettes can be somewhat problematic for me; just because they don't know me doesn't stop me from wanting them to at times...but, mind you, not enough for me to confess to anything.

So what will it take for me to stop being so horribly scared? The mention in a recent issue of Eye Weekly certainly didn't do it. As we sat there on our stolen couch, the newspaper print of the thin pages staining our fingers as they flipped through, taking note of the photos of our friends and columns about the bars that we get free drinks in, surveying the events that we'll accept and decline the inevitable invites to and it was there, caught in my throat right there with the smoke, and for a brief, fleeting moment I wanted them to know. "You see the word Lush there, in bold on the fifth page's Letters section? Yeah, well, that's me."

It would have been so easy, and it wouldn't, couldn't come out. It absolutely couldn't come out. For them to see it and know, to attach the faces and names to every post would be the death of all of the honesty I have in me and reserve for here. It's why I carry my notebook with me everywhere I go and hide it if I'm sleeping, showering or if my purse is too small to fit it in. It's why I lock all of my old, finished notebooks in a desk to which only I have the key.

Not to be too morbid on a Friday afternoon or anything, but here it goes: I often wonder what'll happen to them if I die unexpectedly.

...yeah, too morbid. But one more reason to stay alive long enough to see my eventual death coming I guess.

Careful, careful.

Watching women who's words I walked around with when I was only sixteen years old. I thought I knew what they were talking about then - as it turns out, I had no idea.

So I sit, watching, stringing chains around my neck, not unlike when I disrobed and re-robed in his room six nights ago. I won't admit it (who would?), but I'm also surveying in the moments in between all of this watching...now there are others, with their cellulite-free, tanned asses hanging out on his wall. One with an Eastern European last name that reminds me of a person I'm trying quite hard to forget as of late.

And so it is. Moisturizing my face tonight, watching those women who I thought I understood when I was too young to really know anything, I realized that I've never been 'rejected' because I've never let myself be. Careful, careful, because all of the good advice in the world won't do me any good when I'm up to no good, and it's just far too easy to tiptoe about and play this game with oneself.

So it is, so it is, so I keep watching. If I didn't quite comprehend these questions back then, then there's a chance that I may have missed the part with all of the answers too?

Hello ruby in the dust. Has your band begun to rust?

Some nights there really isn't anything more satisfying than passing the time with a glass of red, Neil Young on the stereo, my notebook and a box of Crayola 64 markers.

Yes, I know I'm lame. But, with that being said, it is turning into a very, very pretty notebook.